This expanded second edition of The Royal Tour features recent work from Vincent Namatjira. These paintings, shown on the inside covers, continue the artist's thematic exploration from the original Royal Tour suite. Made while in lockdown on the APY Lands in remote Central Australia during the COVID-19 pandemic, the works that populate Namatjiras debut artist book The Royal Tour are as intimate as they are interventionist.
Painting directly onto the pages of commemorative royal photo-books that he had stumbled across at op-shops in Alice Springs, Namatjira - whose famed great grandfather Albert Namatjira won the Queen Elizabeth II Coronation Medal in 1953 for his services to art and went on to meet the monarch in 1954 - places himself front-and-centre amidst the pageantry of various historical royal occasions, engagements and tours. Here, he rides shotgun in the Gold State Coach with the Queen, waving the Aboriginal flag out the window; gives a grinning thumbs-up from the Buckingham Palace balcony; and leads Charles and Diana on an outback tour. But for Namatjira - who, in 2020 alone, became the first Indigenous Australian artist to win the Archibald Prize and was awarded an Order of Australia Medal - the devil is in the detail. As he offers in fellow Indigenous artist Tony Alberts essay for the book: 'Whenever I paint powerful figures like the Royals, Im trying to take away some of their colonial power and ownership. I use a mischievous self-portrait and a bit of cheeky humour as a kind of equaliser, a way of putting everyone on the same level When I place an Aboriginal person front-and-centre or use the Aboriginal flag in a painting, it is as a symbol of our strength and resilience.'
