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Breton's late treatise on magic and art appears for the first time in English, complete with citations, commentaries and a bibliography
What is "Magic ...
Australian painting icon Lesley Dumbrell graces the cover of this issue, which delves into hair, gender and personhood alongside features on Lillian O'Neil, Wendy ...
AN INSTANT NEW YORK TIMES BESTSELLERIn Cork Dork, Bianca Bosker trained her insatiable curiosity, journalist's knack for infiltrating exclusive circles and eye for unforgettable ...
An essential guide to how the power of art has been harnessed to effect political change across the modern world, from the struggle for universal ...
Renowned art historian and pioneering feminist Linda Nochlin explores how, from the late 18th century, fragmented, mutilated and fetishized representations of the human body came ...
Excerpts from art critic, historian, lecturer and broadcaster James Hall's lively and comprehensive cultural history of self-portraiture, including such artists as Durer, Gentileschi, Van ...
Griselda Pollock, feminist art historian and longstanding advocate of gender and racial inclusivity, unpacks the racist, sexist and imperialist underpinnings of works by Gauguin and ...
An interpretation of the history of mural painting from ancient Egypt to the twentieth century by one of most eminent art historians of all time ...
Respected painter and writer Julian Bell offers original insights into the art, practice and ongoing importance of painting.
Surprising, questioning, challenging, enriching: the Pocket Perspectives ...
In Women Artists in Midcentury America, readers embark on a journey spanning two decades, delving into the evolving social and artistic landscapes through the lens ...
Grounded in the global, conceptual art tendencies that began in the 1960s, For What It's Worth looks at artists who generate, question, and infect ...
"Framed" blows the lid off one of Melbourne's most puzzling secrets: Who stole Picasso's Weeping Woman from the NGV in 1986.
Written by ...
Whats the difference between a cast shadow and a form shadow? Why do shadows become increasingly important in Western art? Can we only ever see ...
Do things always look smaller when they are further away? Can something be clearly visible but not there at all? Is it ever possible to ...
The thread is an interesting thing. Formally, it can be described by a beginning and an end, and a certain stability, flexibility, and mobility. A ...